Let’s get one factor straight: in case you’re an unbiased artist trying to develop your fan base, interviews usually are not the battlegrounds to show your mental superiority or flaunt how a lot you despise the mainstream. As a substitute, they’re your alternative to make your story relatable, your music partaking, and your character memorable.
But, so many artists fall into the lure of pretentious posturing, treating interviews like a chore and coming throughout as in the event that they’re too tortured, advanced, or “actual” to attach with anybody.
It’s comprehensible; cultivating a picture that displays your inventive ethos may be tough. However there’s a wonderful line between being enigmatic and being unbearable. In case your aim is to alienate potential followers and go away journalists regretting the hour they spent with you, by all means, proceed giving monosyllabic solutions or delivering monologues about how misunderstood you’re. If, nonetheless, you need folks to care about your music and your journey, it’s time to take a tough have a look at the way you current your self.
The Drawback with the “Tortured Artist” Persona
The archetype of the tortured artist has been romanticised for hundreds of years, however in in the present day’s oversaturated music trade, it’s develop into a cliché that usually does extra hurt than good. Certain, Morrissey, Mark E Smith, and Ian Curtis managed to drag it off, however that they had the genius and cultural timing to again it up. Most significantly, they balanced their broodiness with charisma or no less than sufficient thriller to maintain folks .
For unbiased artists, the tortured artist shtick can come throughout as exhausting fairly than compelling. Always reminding the world how misunderstood and “above all of it” you’re gained’t encourage listeners to attach along with your music; it’ll make them roll their eyes and transfer on. The truth is, followers don’t owe you their consideration. If you wish to construct a loyal following, it’s important to earn it—and which means assembly folks the place they’re, not demanding they climb your pedestal to worship you.
Dry, Dismissive Solutions Will Kill Your Momentum
Interviews are an extension of your artistry. They’re a platform so that you can inform your story, construct your model, and provides followers a glimpse into your world. So why achieve this many artists deal with interviews like an obligation they’re determined to flee?
Giving curt, dismissive, or “too cool for this” solutions in an interview isn’t edgy; it’s lazy. In case you’ve ever learn an interview with an artist who mumbles their means by primary questions or provides cryptic one-word responses, you know the way excruciating it’s. It doesn’t matter how nice your music is—in case you can’t articulate why it issues or the way it displays who you’re, folks will lose curiosity.
Even iconic artists like Ian Curtis, who was notoriously reserved, managed to supply considerate insights when pressed. His interviews painted an image of somebody who was deeply introspective but additionally captivated with his craft. He didn’t need to be a showman as a result of he let his authenticity shine by with out the pretence of disdain for the method.
If you end up scuffling with interviews, right here’s a easy repair: consider them as conversations, not interrogations. Be open, be trustworthy, and—most significantly—be attention-grabbing. Your solutions ought to invite readers into your world, not slam the door of their faces.
Cease Mistaking Thriller for Apathy
Mystique is a robust instrument when wielded accurately, however there’s a distinction between being intriguing and being obtuse. In case your technique is to be so ambiguous that no person is aware of what you stand for, don’t be stunned when folks lose curiosity.
Take into account Mark E Smith of The Fall. His interviews had been typically confrontational and stuffed with cryptic anecdotes, however he at all times left an impression. His eccentricity and unpredictability had been a part of his appeal, and he by no means fell into the lure of bland indifference. He was passionate, even in his disdain for sure subjects, and that’s what made him compelling.
On the flip aspect, in case you spend your interviews performing such as you couldn’t care much less about your music or your followers, don’t anticipate anybody to care both. Thriller isn’t about withholding; it’s about sharing simply sufficient to make folks need extra. Strike a steadiness between being open and sustaining a way of attract. You’re an artist, not an algorithm—present some humanity.
Constructing a Connection Beats Constructing a Persona
On the finish of the day, followers need to really feel related to the artists they admire. That doesn’t imply it’s important to share each intimate element of your life, nevertheless it does imply you could let folks see the individual behind the music. That is very true for unbiased artists, who don’t have the luxurious of large PR machines to craft their picture.
Take a look at artists who’ve managed to domesticate a devoted fan base with out pandering to mainstream tastes. They succeed as a result of they’re relatable, not untouchable. They share their struggles, their triumphs, and their quirks in ways in which make listeners really feel like they’re a part of the journey.
Even somebody like Morrissey, whose interviews typically veer into the absurd or controversial, understands the significance of partaking along with his viewers. Love him or detest him, you’ll be able to’t deny he is aware of learn how to spark a response. And whereas his strategy could not work for everybody, it’s a reminder that your character is simply as necessary as your music in relation to constructing an enduring legacy.
Conclusion: Drop the Act and Be Actual
If there’s one takeaway from this, it’s that authenticity trumps pretentiousness each time. Followers don’t need to worship an untouchable deity; they need to join with somebody who feels actual. So, ditch the tortured artist persona, cease giving lifeless solutions in interviews, and begin eager about how you need to use each interplay to construct your viewers.
Bear in mind, you’re not Morrissey or Ian Curtis—you’re an unbiased artist attempting to carve out an area in an unforgiving trade. The earlier you drop the act and begin being your self, the earlier folks will begin paying consideration for all the suitable causes. Don’t let your ego get in the best way of your potential. In spite of everything, music is about connection, not alienation.
Article by Amelia Vandergast