Singer/guitarist Magnus Pelander approached Witchcraft with a documentarian’s eye from the beginning. “Witchcraft” is the primary track on Witchcraft by the band Witchcraft, with Pelander drawing the listener’s consideration with a easy invocation in the course of the intro: “Witchcraft, take one.” Like all the things else on the album, the choice to go away this dialogue snippet in as a symbolic territorial marker was a deliberate and intentional act. Nevertheless it’s additionally fascinating to chart how radically Witchcraft have advanced since their inception, with six subsequent full-lengths that includes six completely different lineups, every providing six contrasting “takes” on the band’s synthesis of heaviness and psych-folk atmospherics.
Witchcraft owes its lifeblood to Pentagram, notably the framing of the late ’90s and early ’00s compilations that reintroduced the world to the doom band’s early Seventies recordings. That is echoed within the alternative of covers: the ultra-obscure “Please Don’t Neglect Me,” which Bobby Liebling wrote as a 16-year-old, and (on subsequent variations of the album) an additional bookend within the type of “Sure I Do.” And it’s definitely there within the tone of the album, which has the heat and immediacy of a band recording vintage-sounding songs on precise classic amps and gear, stay to reel-to-reel tape, absorbing all the ambiance of enjoying collectively in a single room.
Pelander additionally channels Liebling’s fragility and vulnerability in his personal vocals, though listeners are inspired to deal with the best way Pelander sings, not a lot what he’s singing about. He advanced right into a stronger, extra assured lyricist later, and is now much less reliant on reverb (like on “The Snake”) to seize a temper. The lyrics on Witchcraft that aren’t steeped in Arthurian legend, like “I Need You to Know” and “Please Don’t Neglect Me,” appear to narrate way more to meta-anxiety about how Witchcraft could be perceived. In fact, the sequencing of this album helps to counter that, with a slow-burn construct in direction of the flashier components, just like the prolonged jam on the finish of “You Bury Your Head” and the haunting association of “Her Sisters They Had been Weak” with flute and backmasked vocals.
In terms of occult rock revivalism, there may be Witchcraft and there’s everybody else. Many bands have pored over the sensible blueprint of Witchcraft and provided refined enhancements that counsel that there’s multiple strategy to interpret the grey matter of proto-doom, however this merry combo of Swedish analog lovers have been to date forward of their time that it has taken everybody else twenty years simply to catch up. Together with Decibel, who’s now trying to proper a mistaken after omitting Witchcraft in its personal 2004 year-end listing in favor of a bunch of icky metalcore albums which have all aged as gracefully as a stripper with a decrease again tattoo. Whereas Witchcraft is tethered to a really particular time and place, however sounds timeless—one other extraordinary feat from a band that even makes being cool appear easy. Witchcraft Corridor of Fame, take one.
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