MIKE & Tony Seltzer – ‘Pinball II’ [Review]

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Hip-Hop music has lengthy suffered from segmentation, pitting sure components of the scene in opposition to each other in a foolhardy race for relevance. MIKE, one of many main voices within the so-called underground scene, has managed to merge sounds that defy his designation through his sensible new challenge with producer Tony Seltzer, Pinball II.

MIKE is an artist we’ve featured closely in our CRT FRSH playlist roundups, and we’ve talked about him in a couple of AOTY posts through the years. The depth, maturity, and presence of the artist born Michael Bonema are astounding when one learns he’s nonetheless in his 20s.

Trying again over MIKE’s discography, intentional listeners will acknowledge the expansion from 12 months to 12 months, with the rapper-producer’s gruff voice conveying a bevy of feelings. As he rapped on “Tapestry” from his wonderful Beware Of The Monkey mixtape, MIKE’s penchant for the “unhappy boogie” throughout his largely self-produced tasks morphed into deeply analytical and infrequently private accounts of his journey in music, honoring his late mom, uplifting his household identify, and ensuring he’s a stable advocate for his associates.

PInball II doesn’t lean into the aesthetic that MIKE normally performs over and produces beneath his dj blackpwr alias. Giving Tony Seltzer the keys for a second time, MIKE permits himself to have enjoyable, boast about his successes, and likewise rejoice his lengthy climb into notoriety. Like their first outing, Seltzer, who has produced for the likes of Wiki, Ski Masks the Stoop God, Princess Nokia, and extra, offers MIKE a collection of booming platters of backdrops that enable Large MIKE to flex.

The album opens with the stage-ready “Sin Metropolis,” which sounds prime for a marching band to replay. MIKE is in prime sh*t speak mode, shouting out his 10k World brethren Jadasea, Niontay, and redLee. This leads into “Dolemite” that includes Lunchbox, and the hazy, trap-influenced observe is an abrupt shift in vitality that feels purposeful all the identical.

Seltzer warms issues again up with “#71” with MIKE’s growling timbre sounding at house over the bouncy manufacturing. At one level, MIKE raps “These n*ggas hardly vicious, however obtained battle paint” with all of the sincerity on the earth, and whereas there’s a smile in his voice, it nonetheless sounds barely menacing.

Pinball II is one thing of a curler coaster journey with slinky grooves like “Golden Dragon” and “Cash & Energy,” permitting MIKE to make use of his highly effective vocal instrument and discover pockets within the beat that almost all rappers could be misplaced making an attempt to find.

Options are saved to a minimal; nonetheless, 10k artist Sideshow reveals up on the sinister “Hell Date” and as soon as once more, the Washington, D.C. rapper manages to pierce the soul along with his grim outlook and his want to interrupt away from the streets however by no means leaving these components behnd, a typical theme in Sideshow’s music. The Ethiopian-American lyricist steals the present on the characteristic.

“Shaq & Kobe” as soon as extra pair MIKE with Florida’s Niontay, and their chemistry stays simple. Niontay raps in rushed, slurred bursts, and when juxtaposed in opposition to MIKE’s bass-heavy monotone supply, the distinction of their voices over Seltzer’s warmth rock helps the tune soar increased.

If there’s a tune that has a sound much like MIKE’s earlier solo works, it will be “Jumanji,” that includes his buddy and previous collaborator, Earl Sweatshirt. Pinball II reaches its apex right here as MIKE once more employs a supply paying homage to what he did with Sweatshirt on the observe “SENTRY” from the California rapper’s Voir Dire album, produced by The Alchemist. Sweatshirt, recognized to be a technician, permits himself to let his verses cling and float with little regard to the rhythm, making it one of the crucial refreshing verses we’ve heard from him.

Pinball II will lazily be referred to as “lure,” or a minimum of say it sounds influenced by that Hip-Hop sub-segment by informal listeners. Upon additional listens, MIKE’s elevated musical productiveness has not dimmed his ardour, contemplating that is his second launch after the stellar Showbiz! album from earlier this 12 months. As MIKE continues to ascertain his place within the scene he’s poised to lord over for years to come back, corny because it comes off, the followers are profitable in consequence.

Discover Pinball II at your most well-liked DSPs right here.

Photograph: 10k/Instagram

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