Rising from Hackney’s energetic music scene in London, Lola Wild captivates as an indie pop power who weaves ’60s pop grit and ’80s moody manufacturing into fashionable tracks that mix rebel with soulful depth, incomes vocal nods to legends like Roy Orbison, David Bowie, and Connie Francis. A former showgirl dancer turned producer and songwriter, she’s bought out intimate gigs at SJQ, Loopy Coq’s, and The Ready Room, commanded phases just like the O2 Academy in Islington, and recorded her debut single ‘Rendezvous’ dwell at Paul Weller’s Black Barn Studios together with his bandmates, all whereas snagging spins on Radio X, BBC Radio 6, and BBC Introducing London since her 2023 launch. Her newest drop, the brooding indie pop single ‘Women in Hollywood’—co-produced with multi-instrumentalist Jim Wallis at Robust Room Studios and that includes a visualizer by administrators Jack Satchell and Mars Washington alongside showgirl Roxy Van Plume—strips again Hollywood’s myths with retro textures akin to ABBA, Weyes Blood, Suki Waterhouse, and Σtella, setting the stage for our chat the place she dives deeper into her journey and this uncooked launch.
With the discharge nonetheless buzzing, dive into our dialog with Lola Wild as she opens up about her path, inspirations, and the tales behind this gripping monitor.
Stream ‘Women In Hollywood’:
What’s a typical day like for you in Hackney while you’re not engaged on music?
The reality’s not almost as glamorous as I’d prefer it to be. I might say I spend my days lounging in Victoria Park, studying Hemingway and sipping on some obscure espresso with a twist of existentialism however actually, I’m fairly the introvert. More often than not I’m at dwelling with my bond-cat Salvador, listening to information and getting misplaced in my very own little world, which actually isn’t troublesome being neurospicey. I’ll sometimes type a wig or two, which is a passion I picked up when making my very own costumes and wigs as a burlesque dancer.. Its oddly therapeutic.
How did your background as a showgirl dancer first affect your method to songwriting and manufacturing?
It really formed much more than I realised on the time. Being a showgirl is all about telling a narrative with out phrases, via motion, expression, costume, the entire vibe. That undoubtedly fed into how I method music now. Once I’m writing or producing, I’m all the time eager about scenes and moods first.. like, what would this track appear to be on stage or on movie? What’s the lighting doing? What are the characters sporting? It’s that sense of drama and environment that I like bringing into my songs.
Who’re among the key artists from the ’60s and ’80s that formed your sound, and why do they resonate with you?
From the ’60s Nancy Sinatra has been an enormous affect, there’s this easy coolness in her voice, like she might kiss you or kill you and both can be iconic. Serge Gainsbourg too..his work is dripping in environment, cinematic and a little bit sleazy in the easiest way. Roy Orbison is one other one his voice is pure drama, like heartbreak wrapped in velvet. And naturally, The Beatles – masters of melody and storytelling.
For 80’s artists it’s the theatrical ones that bought me – David Bowie, clearly. He turned each track right into a scene, all the time shapeshifting. Billy Idol had that punk sneer however with hooks you may dance to, which I like. Eurythmics introduced that icy synth drama, and Blondie for this fairly rebellious but uncooked method to music.
Are you able to stroll us via the second you determined to report your debut single ‘Rendezvous’ at Paul Weller’s Black Barn Studios?
Oh, the dwell acoustic model was recorded there. The unique recording was recorded at Robust Room Studios with producer Jim Wallis, and co-written with Paul Wellers keyboard participant Tom Heel. I mainly reached out to Tom months after the monitor bought launched and requested if he’d be up for doing a filmed stripped again model, not anticipating he would ask Paul to make use of his studio haha. Very grateful to Tom and for that chance!
What drew you to collaborate with Jim Wallis on ‘Women in Hollywood’, and the way did that partnership evolve throughout manufacturing?
I’ve been working with Jim Wallis since my debut Rendezvous dropped in 2023 so it’s been evolving for just a few years. There’s this uncooked, unfiltered honesty in the best way he approaches music..it’s by no means overthought, by no means compelled. He brings this atmospheric depth that by some means makes every thing really feel timeless, just like the songs dwell in that candy spot between nostalgia and now, balancing that dream pop and retro with out ever tipping too far in both course. I’ve collaborated with loads of producers through the years, and as a girl within the trade, that’s include its justifiable share of issues.. Folks with large egos attempting to mould me into their model of an “artist,” shutting down my concepts earlier than they’ve even landed. However Jim’s utterly reverse. Each demo I despatched, each wild concept I introduced into the room he welcomed it with real pleasure. There was by no means any ego, simply curiosity and respect.
In ‘Women in Hollywood’, you discover the darkish aspect of fame— what private experiences or observations impressed these lyrics?
In all probability from watching how the trade treats girls, notably in Hollywood from the Golden Period even to this present day. There’s this bizarre mixture of obsession after which simply tossing ‘em to the aspect when they’re executed. It’s like that within the music trade too. I suppose that’s the place my very own private experiences come to play. Being underestimated, advised how I ought to look or sound to “slot in.” or what reductive issues I ought to do or say to get consideration. It’s not constant both .. One minute you’re being praised, the subsequent you’re being picked aside.
The monitor paints an image of exploitation and misplaced desires in Tinseltown; how do you steadiness the retro pop allure with such gritty themes?
I’ve all the time been into music that sounds dreamy and nostalgic however has one thing a bit heavier occurring beneath. With Women in Hollywood, the dream pop vibe virtually acts like a disguise – it pulls you in with this dreamy, golden-era feeling, however the lyrics are peeling that phantasm aside. It’s a bit just like the Hollywood dream itself.. All shiny on the skin however when you scratch the floor, it may well get fairly darkish. So mixing these two simply felt like the fitting approach to inform that story.
Trying again at your sold-out exhibits at venues like SJQ and the Loopy Coqs, how has performing dwell modified your perspective in your profession?
I’ve been performing for about 15 years now dwell, and it’s all the time been the factor I sit up for probably the most once I end a venture. I all the time image what it could be prefer to carry out it dwell. I feel the exhibits I’ve executed during the last couple of years have helped me see my profession much less as a linear path and extra like an evolving efficiency house, the place the music, type, and storytelling all comes collectively in actual time. That power, that immersive trade with the viewers, it’s fairly unimaginable
In case you might warn your youthful self in regards to the music trade, drawing from the realities in ‘Women in Hollywood’, what would you say?
Don’t mistake consideration for respect. Simply because persons are clapping doesn’t imply they see you clearly or have your finest pursuits at coronary heart. Shield your voice, belief your instincts, and don’t be afraid to stroll away from something that asks you to shrink your self. The proper individuals won’t ever ask you to be much less
What’s one enjoyable, sudden factor that’s occurred since releasing ‘Women in Hollywood’ that made you smile?
Properly, because the monitor was launched final week, I might most likely say having Imelda Could message me on Instagram supporting the monitor.. That was fairly cool and sudden!
Watch the visualizer right here:
Observe Lola Wild: