Ligeti: String Quartets Nos 1 & 2; Bartók: String Quartet No 4 (BIS)
★★★★☆
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It’s 30 years since I heard Gyorgy Ligeti clarify why he was permitting his first string quartet to be carried out after 4 a long time mendacity in a drawer. The quartet, composed in 1954, was too near its sources. “It’s Bartók’s seventh,” stated Ligeti, “however I’ve now realised that’s not such a foul factor.”
Titled Metamorphoses Nocturnes, the quartet has buzzing bugs, whispering grasses and lots of issues that go bump within the evening. In amidst the feral noises there are wistful strains of melody and a macabre sense of humour, blacker by far than Bartók’s Bluebeard. From time to time, a Haydn chord is heard. Consider it as a bridge between pre- and post-war modernism, written beneath the heavy hand of Hungarian state communism. Two years later, Ligeti fled west.
His second quartet, dated 1968, is likewise transitional. Written in a revolutionary 12 months, it opens with an Allegro nervosa through which the composer departs from Boulez-Stockhausen serialism right into a frank and brutal encounter with real-world music that individuals may need to hear. As ever in Ligeti, there’s waspish wit, nasty moments and episodes of transcendental calm and delicacy. Ligeti is the least predictable of composers, essentially the most satisfying to a questing thoughts, the right antidote to end-of-year mush.
Between the 2 Ligetis, the Marmen Quartet ship Bartók’s fourth string quartet of 1928, Mozartian by comparability with its neighbours.
The hour-long album is lustily and lyrically performed by 4 Europeans who met in 2013 on the Royal School of Music, earlier than London grew to become too Brexity tough for continentals to finish their research. The Marmens, solid in a unique age, remind us of a lot that has been misplaced, not least an affordable alternative to discover Ligeti’s bumpetty world, on the market on the fringe of the identified universe.
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Norman Lebrecht is without doubt one of the most widely-read commentators on music, tradition and cultural politics. He’s an everyday presenter on BBC Radio 3 and a contributor to the Wall Road Journal, Bloomberg, Standpoint, Sinfini and different publications. His weblog, Slipped Disc, is among the many most generally learn cultural websites on-line, breaking unique tales and campaigning in opposition to human abuse and acts of injustice within the cultural industries.