Nu metallic founding fathers Korn can legitimately lay declare to kickstarting a complete new scene with their landmark 1994 debut album, however comply with up Life Is Peachy was a disappointment in contrast. Which meant loads was using on 1998’s Comply with The Chief, as Metallic Hammer came upon after we met vibed-up singer Jonathan Davis and guitarist Munky in Paris simply earlier than the album was launched.
The Costes Resort, located bang within the centre of one in every of Paris’s extra upmarket districts, is, if not the peak of luxurious, then at the least of a adequate altitude to induce fairly extreme vertigo. A once-over of the clientele lunching out within the terrace restaurant reveals an impeccably turned out David Ginola, probably gathering his ideas for his subsequent piercing perception as a part of the BBC’s World Cup pundit panel, the ever-suave Johnny Depp and an assorted assortment of Armani’d up nouveau riche.
Of their midst sits a tallish fella with hair like matted straw, decked head to toe in informal sports activities gear, hunched low over a plate of mozzarella and tomatoes, enthusing in a barely whiny American accent in regards to the high quality of French meals. His companion, barely tanned and sporting chunkier, neater dreads, however trying no extra wholesome than the primary, grunts in acknowledgement, whereas toying along with his multi-storey membership sandwich. Because the French chattering lessons get at one with their déjeuner, you’ll be able to’t assist however surprise what they make of Korn’s Jonathan Davis and James ‘Munky’ Shaffer, having fun with one of many many fringe advantages of being multi-platinum-selling rock stars.
Hammer is in Paris to talk to Korn about their impending new album Comply with The Chief, by their very own admission crucial of their profession up to now, however there’s one small drawback: we haven’t heard it but. Or at the least, not all of it. Nevertheless, if the 5 tracks we now have been aware about are something to go by, then Comply with The Chief might be a stormer, the true follow-up to the jaw-dropping headfuck that was their eponymous debut – versus the disappointing second album Life Is Peachy. This, Korn followers, is the true deal.
“This might be the one, this might be it for us,” speculates Jonathan Davis over a wake-up name Jack Daniels and Coke. “That is the album that makes of breaks your profession. If the third album does nicely you then’re set for all times.
“I’m stressed at the truth that it’s that good,” provides the frontman, and it’s factor too, as a result of as soon as the mud on Life Is Peachy had settled, the thought-about opinion was that it was, nicely, arse. After the ground-breaking debut, to be offered with such an analogous, and thus in the end redundant, report was a large disappointment, which the critics in the end turned on. Luckily, Korn know this too.
“Effectively, yeah, we knew, it was apparent. We all know that album sucked,” admits Jonathan, earlier than happening to qualify this assertion with: “Effectively it didn’t suck, there’s good songs on there, however we all know we rushed it. We had been actually upset with the final album. It was superior, nevertheless it might’ve been higher. We settled.
“Life Is Peachy is all at one tempo, it’s all the identical,” Jonathan continues. “On Comply with The Chief, we’ve obtained a number of bizarre issues happening, a number of selection.”
Certainly, throughout the 5 tracks we’ve heard, there’s extra experimentation and selection than on the entire of Korn’s recorded output up to now – possible first single Received The Life grinds away to a disco beat, for fuck’s sake! That extends to lyrical themes as nicely. Gone are the well-documented childhood tales and anxieties; Comply with The Chief is the album on which Jonathan Davis grows up. Effectively, kind of.
“That is my album of self-destruction. There’s none of my childhood stuff happening any extra. That is extra about me coping with pressures I placed on myself,” he explains, twisting his dreadlocks frantically, as he’s wont to do when speaking about himself.
“The self-destruction I’m going although, killing myself and doing all of the fucked-up issues I do exactly to take care of it. The stress of what it’s prefer to be on this band, of being a father, all types of shit.”
Parenthood is a giant factor with Korn in the intervening time, 4 out of the 5 members both being fathers or because of be any minute. Are they getting to some extent the place households take precedence?
“That is what we like to do – I don’t care if I’ve a child, it doesn’t must cease me doing what I do and what I really like,” Jonathan snorts.

How in regards to the partying that goes hand in hand with being in a profitable band, although? Are you going to cease doing that?
“Nah, fuck that. I’m schizo, I’ve two personalities: I’m a dad once I come residence, however as soon as I’m out that door, I’m completely modified – inside cause. I’m not gonna go fucking kill myself, ’cos I need to be there for Nathan, however I by no means have any guilt that I’ve a spouse and child at residence and I can’t occasion – fuck that! I work my ass off, I’m earning money and I fucking have to occasion or I’ll go loopy.”
So if, as beforehand claimed, the songs on the primary two albums had been meant as private remedy, has it labored in any respect?
“All people all the time has issues, new ones simply appear to pop up,” Jonathan solutions, twisting on his dreadlocks. “I have to exit and sing these songs once more – I haven’t sung in a yr and I’m extra fucked up than ever.”
And what are the pressures of being in Korn?
“I can’t start to inform you. It’s stuff you carry on your self as artists. It’s our third album and we’re scared whether or not folks will prefer it or not, the shit we went by means of with producers… it simply wracks your mind.”
“The shit we went by means of with producers” refers back to the tortuous issues Korn skilled throughout their protracted stint within the studio. Whereas it’s true that after their expertise with Life Is Peachy, the band needed to take extra time on this album, a significant component contributing to the 9 months they spent maintain up recording was the breakdown of any kind of working relationship with unique producer Steve Thompson.
“He took us to the extent that we wanted to be at after which we didn’t want him any extra,” sniffs Munky.
“Yeah, get out!” hoots Jonathan. “We began bumping heads within the studio. As soon as we obtained into the studio, issues began to vary. We’d do our beats or one thing that we thought was greatest and we’d depart that after which I’d are available in and he’d modified it! With out telling us! He’d be like, ‘That grooves,’ and we had been like, ‘No! Put it again!’ He places it again, we come again in later and he’s modified it once more. We had been like, ‘ what, man? Get out. It’s time so that you can go.’ He didn’t have the identical imaginative and prescient that we had for our album – he needed to make all of it… simply not us.”
So out went Steve and in got here… Ross Robinson, the person Korn had been adamant they didn’t want any extra. “He didn’t produce something on the album, he was simply there as my cheerleader,” says Jonathan, twisting away like Chubby Checker.
“I really like Ross to loss of life and dealing with out him was a giant awakening for me – it was like me leaping out of a cocoon, as a result of I actually didn’t have that a lot self-confidence in myself. Working with Ross, he’d hold making an attempt to take me again to these first two albums, however I didn’t need to go there, and he’d be adamant about it and it pissed me off. Lastly I obtained to the purpose the place I assumed, ‘I don’t want Ross, I don’t want anyone.’
The idea behind Comply with The Chief refers back to the oft-forgotten incontrovertible fact that when Korn broke again in 1995, they tore a Godzilla-sized gap by means of a metallic scene wandering aimlessly in a post-grunge wilderness. After all, since then, innumerable bands have adopted them by means of, lots of them clinging to Jonathan Davis and co.’s coat-tails for all they’re value.
“We blew this complete scene open, I don’t care what anyone says,” states the frontman bullishly. “We did all of the work, and now there’s this new market, all these Korn bands are popping up.”
“Which is flattering,” nods Munky.
“Which is completely superior, ’cos we created a brand new scene. It’s like when Nirvana got here in and the grunge scene occurred, it’s taking place now with this new music. It’s flattering and every thing however we had been simply throwing that on the market. Among the magazines I’ve checked out also have a Korn part for all these totally different bands that sound similar to us. That’s fucking superior, I see one thing taking place.”

The flipside is that you simply’ve now virtually killed metallic stone useless – now everyone takes the simple choice and tags the Korn sound for immediate success.
“Yeah, however we’ll all the time be one step above them,” grins Munky knowingly. “Simply after they begin to nail the sound of our first two data, bands going, ‘Oh, we’ve obtained what they’re doing found out now,’ now this report comes out and so they’re gonna be like, ‘Man…’ We’re one step forward.”
After which there are the bands Korn have dragged by means of kicking and screaming themselves, like Limp Bizkit and Deftones. “We preferred serving to these bands out,” smiles Jonathan earlier than altering tone (twist, twist). “Deftones is a giant false impression – we don’t even discuss to them now. We’re pissed off with them. They talked some stuff about us. Korn and Deftones had been out on the similar time and we was once actually good associates, however now all this shit has torn us aside. It’s unhappy. From the media saying that they sound like Korn, I don’t hear something comparable in any respect. I believe they’ve obtained completely sick of it and have shut us off fully, Chino particularly.”
Effectively, the foundations for friendship change while you begin counting your album gross sales in thousands and thousands.
“Folks begin altering and tripping out, anticipating us to vary. We deal with ’em the identical, however folks take the shit so fucking personally. We don’t have very many associates. I’ve 4 of my greatest associates in my band after which these different bands… success begins altering them, you begin altering, jealousy comes into play after which they’re gone. It sucks.”
And for the report, the place do you stand on the Coal Chamber challenge?
“I’m not going to go there,” is the deliberate response, earlier than a smile cracks out. “You fucking British fucking press motherfuckers!”
Initially printed in Metallic Hammer in June 1998