Limberlost are an ever-changing band, originating within the Pacific Northwest, however getting round since their inception, taking part in exhibits throughout the nation and overseas. Their third launch so far, the incendiary (Stunning Scars) album, set for launch in June, reckons to be essentially the most thought-provoking but, with Sammie Gorham added on twin lead vocals, together with added bass and guitar duties by Steve Unger (Steel Church and Autograph), and son Devin Unger (Sin Circus Band). And retaining writing companions, Brittany Lauren-Smith on vocals, and Mike Burt on drums and Anthony Ciarochi on keys, to spherical out the brand new line-up.
This album performs out like a full-on progressive idea report popping out of nowhere with blistering songs about an assortment of recent located themes, and when you wrap your head round it, you merely can’t get sufficient. The ferocious opening observe and lead single “Alien,” begins the story off in grand trend with all of the depth of a contemporary exhausting rock masterclass, and for those who’ve heard their earlier work you’ll immediately be taken as removed from the planet because it will get, and be dropped again right down to earth by the point it’s over. This band have toured overseas as openers on the Yngwie Malmsteen 2023 European tour, only for one instance of their travels.
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That is no strange album, it’s really a banger of mass proportion, as they go proper into “Taking part in Video games” with out hesitating to kick ass and take names. You may inform it’s going to be about one thing because the tracks burn in succession all the way in which to the bittersweet finish, with Britanny Lauren-Smith arriving on these killer cuts, because the lyrics clearly point out some expertise has occurred alongside the way in which of their saga.
You are feeling such as you’re on the journey with them, as they blaze via “Buried” and that’s precisely what you’ll be when you hear it. You’ll additionally really feel lonely and chilly as “Alone” reminisces of beforehand launched tracks like “Good Combat,” however with extra of an edge across the reappearing piano chords, and the guitars coming alive as they interaction collectively across the vocals. You’re hooked by the point the album goes into the epic “Let Me Go” which clearly exhibits much more of what’s been happening on the earth of socio-political tradition’s digital unsureness. This track has “hit report” written throughout it, however it’s not the one one, because it comprises no fillers in sight.
The idea carries on with “The Me I’m Afraid Of” with its shock absorbing hooks and excessive story about progress within the loopy world of challenges all of us face, and the facades that include it that we must always all drop. “Man On The Run,” additionally fights for hit energy because it drives like a freight practice via your mind, leaving you battered and begging for extra, earlier than the groovy pop marvel of “Velvet & Venom” carries issues into the eclectic “Blood & Bone” with much more of the identical chops. The entire thing and with the unimaginable to dismiss “Stunning Scars,” because it takes you again for listening spherical after spherical.
Mindy McCall
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