“Eden” Is a Radiant Reflection of Daniel Seavey’s Creative Freedom

-


A radiant mix of vulnerability and pop-rock nostalgia, “Eden” finds singer/songwriter Daniel Seavey at his most trustworthy, heartfelt, and free.
 comply with our In the present day’s Music(s) playlist

Atwood Magazine Today's Songs logo

Stream: “Eden” – Daniel Seavey


From the primary few notes of Daniel Seavey’s newly launched single “Eden,” there’s an plain sense of emotional gravity – a weightless but heavy pull into one thing deeply private, earnest, and luminous.

Lifted from the vinyl-exclusive version of his debut solo album Second Wind, “Eden” now arrives formally because the album’s thirteenth monitor, standing not solely as a fan favourite, but additionally as a daring testomony to Seavey’s evolution as a solo artist and storyteller.

Eden - Daniel Seavey
cowl artwork for Daniel Seavey’s “Eden”

Co-written and produced with hitmaker Michael Pollack (Miley Cyrus, Justin Bieber), “Eden” is a fragile but hovering mix of pop-rock nostalgia and fashionable vulnerability. It captures that uncommon, transcendent feeling of falling for somebody who feels ethereal, nearly unreal, and the quiet ache that comes with not eager to burden that gentle together with your shadows.

As Seavey himself places it, the music is about “falling for somebody who feels nearly too good to be true… figuring out they see one thing in you that you could’t even see in your self.” It’s a poignant meditation on self-worth, intimacy, and the sometimes-terrifying purity of affection.

The solar went chilly, the sky was bleeding
I caught the final practice out of Eden
If individuals by no means actually change
Then, what you’ve achieved, I can’t clarify
You gave me one thing to consider in
With a contact sufficient to heal me
And a kiss sufficient to make me keep
Oh, it hurts sufficient to kill me
‘Trigger I do know I could possibly be higher
Know I could possibly be higher
Know I could possibly be higher for you

“Eden” faucets into the golden age of early-2000s pop-rock, an period that formed Seavey’s sonic palette. But relatively than merely recycling these sounds, he channels them via a 2025 lens, providing crisp manufacturing, lush layering, and vocal supply that feels as heartfelt because it does refined. It’s no shock, contemplating Seavey performed a number of devices on the monitor and was deeply concerned within the association, manufacturing, and mixing course of. What emerges is a monitor that feels wholly owned, crafted not simply by his palms, however by his coronary heart.

Daniel Seavey "Eden" © Jimmy Fontaine
Daniel Seavey “Eden” © Jimmy Fontaine
Daniel Seavey "Eden" © Jimmy Fontaine
Daniel Seavey “Eden” © Jimmy Fontaine

I wrote this music about falling for somebody who feels nearly too good to be true – like they’re gentle in human type, and also you don’t need to burden them with darkness you carry.

* * *

“Eden” additionally marks a pivotal second in Seavey’s unfolding solo journey.

After co-founding the massively profitable Why Don’t We in 2016 and gathering over six billion streams, two platinum singles, and a number of sold-out excursions, Seavey discovered himself amidst upheaval, each personally and professionally. Household well being crises, the demise of an in depth buddy, and a protracted authorized battle over inventive possession examined his resilience. However out of that turbulence got here Dancing within the Darkish, a 2023 EP that launched Seavey as a solo pressure: uncooked, expressive, and untethered.

That challenge laid the groundwork for Second Wind, which dropped in early 2025 and debuted at #7 on the ARIA charts. That includes standout tracks like “Sleeping With the Lights On,” “Gateway Drug,” and “Different Individuals,” the album was met with reward from Billboard, Rolling Stone, and PAPER, with critics applauding his “impeccable manufacturing abilities, stellar vocals, and private artistry.” However “Eden,” first revealed solely to followers who bought the vinyl, rapidly emerged as a sleeper hit.

Devotion doesn’t are available in seasons
The notion doesn’t want a purpose
If individuals by no means actually change
Then, what you’ve achieved, I can’t clarify
You gave me one thing to consider in
With a contact sufficient to heal me
And a kiss sufficient to make me keep
Oh, it hurts sufficient to kill me
‘Trigger I do know I could possibly be higher
Know I could possibly be higher
Know I could possibly be higher for you

Seavey’s choice to initially hold “Eden” unique to vinyl wasn’t only a advertising transfer; it was a mirrored image of how private the monitor felt. And but, as he carried out it reside on tour, evening after evening, followers who had heard it solely as soon as (or via unofficial snippets on-line) started singing each phrase again to him. That response satisfied him: this music deserved a wider stage. Its official launch now solidifies its place inside Second Wind’s arc, extending the album’s emotional depth whereas broadening its attain.

Daniel Seavey "Eden" © Jimmy Fontaine
Daniel Seavey “Eden” © Jimmy Fontaine
Daniel Seavey "Eden" © Jimmy Fontaine
Daniel Seavey “Eden” © Jimmy Fontaine

“Eden” encapsulates the very essence of Daniel Seavey’s inventive rebirth.

It’s a music that feels each intimate and cinematic, radiating with heat whereas wrestling with the quiet insecurities that include love and self-doubt. By layering susceptible lyricism over a lush, nostalgic soundscape, Seavey bridges the previous and current, honoring the pop-rock influences that formed him whereas firmly planting his flag as a solo voice with one thing actual to say.

It’s the type of monitor that lingers lengthy after it ends, not as a result of it’s flashy, however as a result of it’s trustworthy.

cover art for Daniel Seavey's debut album 'Second Wind'
cowl artwork for Daniel Seavey’s debut album ‘Second Wind’
Be higher, be higher
Know I could possibly be higher for you
(I might!)
With a contact sufficient to heal me (Aw!)
And a kiss sufficient to make me keep (Ooh)
Oh, it hurts sufficient to kill me (To kill me)
‘Trigger I do know I could possibly be higher (Could possibly be higher)
Know I could possibly be higher (Could possibly be higher)
Know I could possibly be higher for you (For you)

There’s a quiet, profound energy in how Daniel Seavey strikes via this new chapter of his profession. Now not certain by the business molds that when formed him, he’s free to be each the creator and the vessel, writing, producing, mixing, and performing music that feels intimate but universally resonant. “Eden” is an ideal emblem of that freedom. It’s a music that wears its coronary heart on its sleeve, a monitor that doesn’t simply belong on the album; it belongs on playlists, on stage, and within the hearts of listeners.

‘Trigger I do know I could possibly be higher
Know I could possibly be higher

— —

:: stream/buy “Eden” right here ::
:: join with Daniel Seavey right here ::
:: stream/buy Second Wind right here ::

— —

Stream: “Eden” – Daniel Seavey

— — — —

Eden - Daniel Seavey

Hook up with Daniel Seavey on
Fb, 𝕏, TikTok, Instagram
Uncover new music on Atwood Journal
? © Jimmy Fontaine

:: In the present day’s Music(s) ::

Atwood Magazine Today's Songs logo

 comply with our every day playlist on Spotify


:: Stream Daniel Seavey ::



Share this article

Recent posts

Popular categories

LEAVE A REPLY

Please enter your comment!
Please enter your name here

Recent comments