I’ve listed my “prime tens” for a lot of artists, however it’s time to rummage by means of total discographies and rank each single from worst to finest. This function will primarily deal with teams who’ve disbanded or gone on indefinite hiatus. It’s a means for me to re-evaluate my preliminary ideas on their singles run. Don’t be stunned if the order has modified from previous countdowns. These items are at all times in flux!
READ OTHER “RANKING EVERY SINGLE” FEATURES HERE!
17. Wow Conflict Tonight (2016)
I’m placing this on the backside not as a result of it’s a nasty music (it’s an incredible traditional, really), however as a result of it’s been lined by 1,000,000 J-pop acts already and AOA’s model doesn’t actually do something new with it. (full evaluate)
16. I’m Jelly Child (AOA Cream) (2016)
I used to be overly harsh on this when it was launched. It’s nonetheless not a favourite, however I like the funky synths and the melodies are nice. (full evaluate)
15. Bing Bing (2017)
This seems like a lesser model of different tracks, however its brassy bounce continues to be satisfying. (full evaluate)
14. Confused (2013)
This large brassy sound fits them very nicely.
13. Come See Me (2019)
This can be a good EDM banger to ship the group off. It’s not as memorable as their finest work, however nonetheless embraces the campy enjoyable they have been recognized for. (full evaluate)
12. Bingle Bangle (2018)
This chirpy summer time sound is a bit completely different for AOA however consists of sufficient of their musical hallmarks to work nicely. (full evaluate)
11. Good Luck (2016)
I like this, however it seems like a comedown after their wonderful 2014-15 materials. The mini album’s nice, although. (full evaluate)
10. Give Me The Love (ft. T.M.Revolution) (2016)
It’s nonetheless loopy to me that AOA collaborated with T.M.Revolution of all folks. The music is nice, however needs to be wonderful given this degree of expertise. (full evaluate)
9. Moa (AOA Black) (2013)
Regardless of this being the group’s first “band” launch, it really sounds nearer to the Courageous Brothers produced pop that might ultimately make them large.
8. Oh Boy (2015)
AOA’s Japanese work maintained lots of the parts that made their Okay-pop releases so profitable and Oh Boy is the strongest instance.
7. Excuse Me (2017)
The swirling, hypnotic refrain is such a profitable hook. (full evaluate)
6. Miniskirt (2014)
This was the large breakout second for AOA and it’s straightforward to see why. It’s so slinky and addictive. (full evaluate)
5. Get Out (2012)
The synths and general manufacturing are tremendous dated, however in a enjoyable means. Nice melodies assist this stand out.
4. Quick Hair (2014)
At this level, AOA had actually discovered their groove. Quick Hair’s refrain stays one in every of 2014’s most enduring.
3. Elvis (2012)
That is such a unusual sound, displaying learn how to completely steadiness bratty sing-talk with ultra-catchy melodies and thrilling manufacturing. (full evaluate)
2. Like A Cat (2014)
What an earworm! I’m unsure any music has ever captured feline slinkiness higher. The refrain continues to be so addictive at present. (full evaluate)
1. Coronary heart Assault (2015)
Enjoyable truth: that is really my second most-played lady group monitor… ever. (Nicely, no less than since I began preserving monitor in mid-2015.) That’s how a lot I find it irresistible. So far as I’m involved, that is Okay-pop (and Courageous Brothers) perfection.