– February twelfth, 2025 –
“Driftwood” Video / Single Now Enjoying + Pre-Orders Accessible
Watch / stream ALLEGAEON’s “Driftwood” HERE
Technical demise metallic outfit ALLEGAEON will unleash their new full-length, The Ossuary Lens, on April 4th on Steel Blade Information, as we speak unveiling the document’s first single, “Driftwood.”
Photograph by Stephanie Cabral
For ALLEGAEON, sitting nonetheless just isn’t an possibility. The Fort Collins, Colorado-based group has by no means allowed itself to stagnate, prefering to thrive on chaos, change and evolution. Their newest providing, The Ossuary Lens, is their seventh full-length general but it surely’s the primary with unique vocalist Ezra Haynes since his 2015 departure following the Components Of The Infinite album. Changing a singer isn’t any straightforward activity, so the truth that Haynes was in a spot to rejoin is one thing to have fun.
The cleaner vocal method on the final three albums was a captivating creative maneuver, one which refreshed ALLEGAEON, but it surely’s undeniably thrilling to listen to Haynes’ graveled larynx again within the fold on this inarguably brutal and technically dazzling slab of labor. The science-based lyrics are as difficult because the progressive musicianship, leading to a set of songs that merely slay. It’s a sound that Haynes himself refers to as “melotech” (melodic, technical demise metallic).
“I feel to start with we have been slightly extra stripped down,” provides guitarist Greg Burgess, “very guitar-forward, targeted melodeath. Over time, I feel extra technical, symphonic, and progressive parts creeped in. Lastly, the place we’re as we speak is all of that mixed, added with extra ambient parts.”
The Ossuary Lens was recorded with producer Dave Otero at Flatline Audio studio in Denver. It marks the sixth album recorded with Otero. “He’s our man and we couldn’t think about working with anybody else in the intervening time,” says Haynes. “We’ve labored with Dave Otero at Flatline Audio for the reason that starting of our profession,” provides Burgess. “So seventeen years now. Dave all the time offers a snug working setting, superb concepts, and a career-spanning understanding of what has made ALLEGAEON, ALLEGAEON.“
The proof is within the pudding; the sound on The Ossuary Lens pummels the listener, although the ferocity is balanced by the overt melodies. It’s probably the most triumphant and cohesive physique of labor that they’ve ever laid down.
Lyrically, whereas not an idea album within the conventional sense, there’s an overarching theme to the brand new album – The Ossuary Lens is a illustration of a number of totally different viewpoints of demise. “Every tune basically is a unique matter, nevertheless there’s all the time a unique perspective of demise tied to every topic,” says Haynes. “Because the total album revolves round this overarching theme of demise, and the totally different viewpoints related to it, we discovered ourselves very connected to the phrase ‘Ossuary,’ and for the reason that album takes have a look at demise by way of totally different factors of view, we discovered The Ossuary Lens to be very becoming for the album title.”
Of the album’s first single, “Driftwood,” Burgess elaborates, “This tune holds a particular place in ALLEGAEON historical past, truthfully. This piece was written for Apoptosis by our then-brand new bassist Booboo. In its unique type, it was so tech demise, I don’t assume we knew the right way to incorporate it into the ALLEGAEON sound when he submitted it. Quick ahead six years and, as we have been kicking round concepts for this album, I remembered the piece, and requested Booboo if he wouldn’t thoughts if I took a crack at presumably rearranging its format slightly smoother into the ALLEGAEON sound. I simply wished there to be slightly bit extra repetition of some components. The tune turned out superb. At all times goes to indicate – by no means throw out something as you by no means know when it’ll come again.”
Watch ALLEGAEON‘s video for “Driftwood” HERE.
The Ossuary Lens can be launched on CD (jewel case w/ 16 web page booklet) and digital codecs in addition to LP within the following coloration variants:
Ossuary Marbled (US)
Wine And Lust (US)
180g Black (EU)
Purple Obsidian Marbled (EU)
Ossuary Crystal (EU – Ltd. 200)
Discover pre-orders at: metalblade.com/allegaeon
The Ossuary Lens Observe Itemizing:
01. Refraction
02. Chaos Idea
03. Driftwood
04. Dies Irae
05. The Swarm
06. Carried by Delusion
07. Darkish Matter Dynamics (feat. Adrian Bellue)
08. Imperial
09. Wake Circling Above
10. Scythe
ALLEGAEON will be part of Warbringer on a North American co-headlining run this subsequent month. The Vortex Of Violence Tour will start on March 18th in San Diego, California and shut on April twelfth in Los Angeles, California. Assist can be offered by Skeletal Stays and Summoning The Lich.
Tickets are on sale now! See all confirmed dates beneath.
ALLEGAEON w/ Warbringer, Skeletal Stays, Summoning The Lich:
3/18/2025 Brick By Brick – San Diego, CA
3/19/2025 Final Exit Dwell – Phoenix, AZ
3/20/2025 Launchpad – Albuquerque, NM
3/21/2025 89th Avenue Collective – Oklahoma Metropolis, OK
3/22/2025 Haltom Theater – Haltom Metropolis, TX
3/23/2025 Come And Take it Dwell – Austin, TX
3/24/2025 Home Of Rock – Corpus Christi, TX
3/26/2025 Conduit – Orlando, FL
3/27/2025 Hooligan’s – Jacksonville, NC
3/28/2025 Damaged Goblet – Bensalem, PA
3/29/2025 Woodshop – Brooklyn, NY
3/30/2025 Foufounes Electriques – Montreal, QC
3/31/2025 The Garrison – Toronto, ON
4/01/2025 The Sanctuary – Detroit, MI
4/02/2025 Reggies – Chicago, IL
4/03/2025 The Bottleneck – Lawrence, KS
4/04/2025 Bourbon Theater – Lincoln, NE
4/05/2025 HQ – Denver, CO
4/06/2025 Metro Music Corridor – Salt Lake Metropolis, UT
4/08/2025 El Corazon – Seattle, WA
4/09/2025 Rickshaw Theatre – Vancouver, BC
4/10/2025 Hawthorne Theater – Portland, OR
4/11/2025 DNA Lounge – San Francisco, CA
4/12/2025 Teragram Ballroom – Los Angeles, CA
ALLEGAEON:
Ezra Haynes – vocals
Greg Burgess – lead guitar
Michael Stancel – lead guitar
Brandon Michael – bass
Jeff Saltzman – drums
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