Six down, six to go in Fort Value, TX. Similar six, actually.
The Van Cliburn Worldwide Piano Competitors offers every of its half-dozen finalists two alternatives to play with the Fort Value Symphony Orchestra below Marin Alsop. Having heard the magnificent six, we will hear them once more in a unique concerto, and probably attain a unique conclusion about who deserves a medal and who doesn’t.
The wise factor can be to attend and see. However, handicapping is half the enjoyable at this well-known occasion, watched the world over by way of live-streaming portals like medici.television and cliburn.org. Many opinions have already been fashioned by way of a technique of elimination that began on Might 21. Maybe some had been bolstered by the performances heard within the Bass Efficiency Corridor on two consecutive nights.
There have been traces of gold Wednesday in a efficiency of Bartók’s Piano Concerto No. 2 by Vitaly Starikov, a 30-year-old graduate of the Moscow Conservatory. This 25-minute rating of 1931 is reputed to be amongst hardest within the repertoire, and certainly I used to be as soon as at a live performance in Montreal wherein the pianist and conductor elected to repeat the finale because it didn’t go in addition to anticipated.
There was no such drawback on this event as each Starikov and the Fort Value Symphony (together with the timpanist) had been firing on all cylinders. Trills within the outer actions had an unearthly high quality and the cadenza of the primary motion was super. An amazing technical achievement, little doubt, however essentially the most charming moments had been within the Adagio, with its plangent piano chords and nocturnally muted strings.
Coordination with Alsop was glorious in a rating that will need to have been new to many within the orchestra. For some cause Starikov fiddled with the piano bench earlier than the efficiency began, giving the impression of private uneasiness even when this was not the trigger. Regardless of.
One other Moscow Conservatory alumnus, Philipp Lynov, 26, began the session with Liszt’s Piano Concerto No. 2, a piece that deploys bravura in a extra accessibly Romantic fashion. A tall determine in formal live performance costume, he appeared to embody the earnest outlook, heat tone and technical safety of the Russian college. Left-hand thunder and right-hand filigree had been equally properly attended to. Music that always comes throughout as episodic in efficiency flowed like a narrative properly advised. Alsop and the orchestra appeared to relish the chance to play a concerto not usually heard in competitions. I detected some gold mud right here.
The night ended with the 28-year-old Canadian, Carter Johnson, in Prokofiev’s Piano Concerto No. 2. The massive cadenza of the primary motion reached a strong climax (memorably marked tumultuoso by the composer) and the semiquavers scampered vividly sufficient within the scherzo. At factors I questioned whether or not the brighter American Steinway would have made a extra incisive impact — a sense that may have been conditioned by the expertise of listening to the identical Hamburg instrument in 5 of the six performances. Carter should do properly on Saturday in Ravel’s Piano Concerto for the Left Hand to stay within the operating.
Tuesday evening raised fascinating questions. Can Mendelssohn’s verbose and flashy Piano Concerto No. 1, nevertheless brilliantly rendered, result in a medal at a significant competitors? Aristo Sham, a 29-year-old of Hong Kong beginning and considerably American coaching, made his case for the affirmative with enjoying of excessive spirits and technical sheen. Attention-grabbing to notice that Sham will get severe on Friday by enjoying Brahms’s Piano Concerto No. 2.
Angel Stanislav Wang, 22, an American of Chinese language and Russian parentage and silver medallist within the 2023 Tchaikovsky Competitors, selected that paragon of sublimity, Beethoven’s Piano Concerto No. 4. The poetry was there. The query in his case is whether or not a light-weight smattering of smudges ought to considerably worsen his probabilities. He’s heard Friday in Rachmaninoff’s Third Piano Concerto, fairly a distinction.
Talking of conventional Cliburn showpieces, Evren Ozel, a 26-year-old American, closed the Tuesday session with Tchaikovsky’s Piano Concerto No. 1. His strategy to this hottest of all concertos was lyrical and restrained. The celebrated double octaves had been freed from stress. “I simply consider them as a continuation of the music,” Ozel mentioned in a post-performance interview. How will the jury reply?
Till Saturday…
That is unknowable earlier than Saturday evening, when gold, silver, bronze and an array of particular awards (together with finest efficiency of a Mozart concerto, and finest efficiency of the brand new work, Gabriela Montero’s Rachtime) are introduced from the stage of the Bass Efficiency Corridor.
Cheering from the pleasant Texas crowd can be voluminous. This we are able to predict with whole certainty.
The finals of the Van Cliburn Worldwide Piano Competitors can be found as a livestream at cliburn.org. The third and fourth classes begin Friday at 8:30 p.m. EDT and Saturday at 4 p.m. EDT. Prior rounds might be seen on YouTube.
Are you trying to promote an occasion? Have a information tip? Have to know one of the best occasions occurring this weekend? Ship us a observe.
#LUDWIGVAN
Get the day by day arts information straight to your inbox.
Join the Ludwig Van Toronto e-Blast! — native classical music and opera information straight to your inbox HERE.
Arthur Kaptainis was classical music critic of the Montreal Gazette from 1986 to 2022 and wrote for the Nationwide Submit from 2010 to 2016. His articles seem in Classical Voice North America and Gramophone in addition to Ludwig Van. Arthur holds an MA in musicology from the College of Toronto. He’s president of the Music Critics Affiliation of North America.