Each Friday, Atwood Journal’s employees share what they’ve been listening to that week – a track, an album, an artist – no matter’s been having an affect on them, within the second.
This week’s weekly roundup options music by The Head and the Coronary heart, Material, Olivia Reid, Aaron Taylor, Burry, Andy Tongren, Abbie Callahan, Asha Mclean, Rei, Sleep Token, Journey Misplaced, Wynona, Kevian Kraemer, Michael Isaak, Mel Denisse, Sid Dorey, L’objectif, Robust Cookie, Loren Warmth, Sports activities Staff, Brandes, Kindelan, Marsha Swanson, and Tash Blake!
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comply with WEEKLY ROUNDUP on Spotify 
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:: Aperture – The Head and the Coronary heart ::
Mitch Mosk, Beacon, New York
Open your ears, open your eyes, open your coronary heart, and take all of it in: The nice, the unhealthy, the enjoyment, the ache, the love – every part this unimaginable life has to supply. I’ll have many extra phrases to say about The Head and the Coronary heart’s sixth studio album over time, however what I’ll say for now’s this: Fifteen years into their storied profession, the band’s folk-laced music continues to be as recent and enjoyable as it’s free-spirited and philosophically profound. Launched on Might ninth through Verve Forecast, Aperture is “an invite to get up within the current second recognizing that it’s all we now have, in all its contradictions of magnificence and ache, pleasure and despair, unfathomable vastness and impermanence,” per band member Matty Gervais. In apply, that interprets to wealthy, heat harmonies, radiant melodies, thought-provoking lyrics, invigorating instrumentals, and immediately memorable singalongs – all delivered with the eagerness and seasoned power of execs who, regardless of their years of doing this, proceed to search out inspiration in themselves and of their on a regular basis.
What’s maybe most putting about Aperture is its vary: Whereas songs like “After the Setting Solar,” “Time With My Sins,” and “Arrow” unpack intimate reflections on id, goal, and life’s larger that means via a well-recognized, sun-kissed sound, The Head and the Coronary heart spend a substantial amount of this report making an attempt on new garments – each musical and topical. The pressing and emotionally charged “Cop Automobile” is an apparent standout: Jonathan Russell’s voice is at its rawest as he sings from the again of a police cruiser, indignant and scared, not sure of his current and fearful for his future: “I’m driving in a cop automotive tonight, trying exterior because the blinks go by, questioning how we gonna die.” Not solely do The Head and the Coronary heart carry a flicker of humanity and empathy to these whom society so typically turns a blind eye, however they achieve this with grace, tact, appeal, angst, and an exquisite center finger to the boys in blue.
However that’s removed from Aperture‘s solely shiny spot: From the plush, hypnotic, and heartrending “Pool Break” and the euphoric, life-affirming “Jubilee” to the feel-good reverie “Hearth Escape” (a really basic THATH tune) and the hopeful “Beg, Steal, Borrow,” The Head and the Coronary heart’s sixth studio album proves to be a significant, memorable, altogether transferring ray of sunshine in 2025’s musical panorama.
“For me, Aperture represents the selection all of us should make between resigning ourselves to darkness, or letting the sunshine in and recognizing our personal company to take action,” Matty Gervais shares. “It feels related to the instances, in that we’re actually selecting between authoritarianism vs. democracy. Ignorance vs. enlightenment on a macro scale, and complacency/cynicism vs. hope, empathy and perseverance on the micro scale. To me, it sums up plenty of what every of those songs is grappling with in some kind and what we’ve collectively gone via as a band. It’s about selecting hope time and again, irrespective of what number of instances it might really feel that you’ve misplaced it.”
True to their identify as soon as once more, The Head and the Coronary heart have used each their heads and their hearts to create one in every of this 12 months’s greatest albums – an electrifying, exhilarating folks rock journey into our shared humanity that meets the current second with ardour, tenacity, vulnerability, and above all else, hope.
:: Pink Silence – Material ::
Will Yarbrough, Philadelphia, PA
For working in such a loosely outlined area as indie rock, Material are particularly tight-knit. Heck, the Glasgow duo are even lower from the identical genetic cloth. Since childhood, Rachael and Paul Swinton have been chipping away at a method of minimalism that’s as tender as it’s stark. However whereas coloured by loss, Pink Silence expands their twin horizon in all instructions.
With regards to recording materials, Material stay fairly sparing. Paul picks at his guitar like a freshly grown scab. Rachael couldn’t sing any nearer to the mic with out whispering in your ear, although her voice continues to path off into the space as if half-remembering a dream. The pair haven’t misplaced their desire for the iPhone’s unmatched compression both, however after getting shortlisted for Scotland’s largest music prize, returning producer Ali Chant inspired them to loosen their self-imposed restraint. Pink Silence flaunts spiffier tempos alongside extra refined textures whereas inviting exterior perspective from two elder statesmen.
Unsurprisingly, it’s Canadian composer and violinist Owen Pallet who provides essentially the most to Material’s palette. His fastidiously organized strings simmer beneath “Burn” with the excessive, lonesome whistle of a tea kettle throughout some ungodly time of evening. “I might be a hero working in the dead of night hours.” Although making an attempt to remain powerful, Rachael’s deep sigh already betrays exhaustion.
The narrative thread behind Material’s third album additionally cuts two methods. Pink Silence invokes both nightfall or daybreak, relying in your way of thinking. Most of those songs grapple with fading friendships, however “Burn” reaches a unique boiling level. “I need to understand how far I’ll take it.” Whereas Paul continues to enhance as an exacting lyricist, his OCD can drive him to burnout. Midway completed, the track practically offers out, decreased to ashes that crackle like brushfire, solely to construct itself again up once more, every layer returning stronger than earlier than. Stay and digital drums rub towards brittle acoustics and an electrical guitar tone that’s as crisp as a struck match. As its wordless coda tapers off, strings swell with the acquainted heat of the solar cresting over the following hill.
:: “House to Roam” – Olivia Reid ::
Danielle Holian, Galway, Eire
“Stempo to Roam” by Olivia Reid feels much less like a track and extra like a breath you didn’t know you had been holding. From the primary notice, it drapes over you want early morning mist — quiet, reflective, and utterly immersive. Reid’s voice isn’t right here to dazzle in a standard sense; it’s right here to disarm, to ask you inward. There’s one thing profoundly transferring about her restraint — the best way she trusts simplicity over spectacle, letting each lyric land softly, but with plain weight. It’s a masterclass in emotional minimalism, the place silence speaks volumes and melody turns into meditation.
What makes this monitor linger is its refined bravery. Written within the stillness of the Polish countryside, “House to Roam” gives the sort of emotional refuge so many people lengthy for — not simply bodily house, however psychic stillness. Reid captures the ache of contemporary uncertainty with out ever dropping her grip on hope. Her voice, equal components heat and whisper, carries the monitor like a lantern via fog. And whereas the acoustic textures and delicate tempo draw from the indie-folk playbook, there’s a timeless high quality right here that transcends style. It’s introspective with out being isolating, tender with out fading — the sort of track that stays with you lengthy after the final notice.
:: “With out Ya” – Aaron Taylor ::
Mitch Mosk, Beacon, New York
The ache of absence rears its ugly head in Aaron Taylor’s “With out Ya!” – a seductive track that born from distance, longing, love’s all too actual withdrawal signs. The newest single off the South London-based singer/songwriter and producer’s upcoming EP Yours At all times is as candy and clean as it’s sentimental – an homage to being along with the one you’re keen on essentially the most, propelled by the earnest, emotionally charged, self-explanatory chorus, “Don’t wanna stay with out ya.”
I get withdrawals
All of the signs
Once we’re aside
I’spose I froze
When Cupid’s arrows
Discovered my coronary heart
Don’t wanna stay with out ya
“‘With out Ya’ is the results of a demo I started again in 2022,” Taylor tells Atwood Journal. “It’s a track about wanting somebody to stay in your life and the way glad they make you, and I needed to replicate this with the upbeat and constructive sound of the music.”
Embracing intimacy head-on, “With out Ya!” embodies a lot of what Yours At all times is all about – connection. “Typically it explores the absence of connection, marked by both craving or dismissal; at different instances, it’s a request for a deeper, extra significant bond,” Taylor explains. “A central theme is goal – a reminder that every of us has one and wishes to satisfy it. I think about Yours At all times as a group of letters or voice messages that the listener turns into aware of, slightly than the meant direct viewers.”
A smoldering, soul-stirring confessional, “With out Ya!” is the sort of track that hurts so good. By way of baring his personal heavy coronary heart and aching soul, Aaron Taylor reminds us what stay is all about: Discovering that particular somebody who completes us, and driving life’s highs and lows collectively.
I can’t stay alone
Don’t wanna go by myself
I want you unhealthy
You’re the beat of my coronary heart
You’re the tip to my begin
You’re all I’ve
Don’t wanna stay with out ya
:: “Peaches” – Burry ::
Danielle Holian, Galway, Eire
With “Peaches,” Burry peels again the pores and skin of pop and serves up a sun-drunk anthem ripe with shimmer and soul, every beat a pulse of freedom, every lyric a breath of reality. This radiant providing from Halifax’s boldest voice blooms with shiny indie-pop fusion, however it’s the center beneath the gloss that lingers: the echo of pleasure, the ache of longing, the roar of a life absolutely lived. Burry’s fearless honesty, a lighthouse for the unseen, glows in each notice, making “Peaches” a radiant name to revel within the messy fantastic thing about turning into.
:: “So Good” – Andy Tongren ::
Chloe Robinson, California
Indie pop meets folks rock artist Andy Tongren has crafted a colourful and carefree monitor, “So Good,” and it’s, because the title states. The infectious guitar strums and endearing vocals make for the perfect feel-good pay attention. Imaginative strains like “If we get too excessive / And slip off cloud 9 by accident / Sippin’ sunshine, soak all of it up,” show the piece’s sunny, blissful nature. The video has that precise vibe. From mendacity on the grass and strolling on the seaside to taking part in baseball and arcade video games, it reminds us all to step exterior and stay a little bit. The track and visuals are all about being worry-free, and they’ll have you ever saying “hakuna matata.”
Tongren, greatest often known as the frontman of Younger Rising Sons, is an optimist who breathes positivity. “I actually do try to discover the silver lining any manner I can. At my core, I really feel like there’s nothing else I can do,” admits the Brooklyn-based singer/songwriter. For Tongren, music has at all times been about connection – it’s the human component, uncooked emotion, shared tales, and the bond between artist and viewers. Born in Ohio and reducing his tooth alongside the New York–New Jersey circuit, he has obtained a loyal fan base that relates strongly to his message.
:: “Yo-Yo” – Abbie Callahan ::
Chloe Robinson, California
Romances might be long-lived, whereas others are quick and fleeting. Abbie Callahan examines the character of passing flings and their wild journey of ups and downs in her newest single, aptly titled “Yo-Yo.” The tangy sonics and intoxicating nation vocals make for a particular must-listen monitor. Abbie shares, “I wrote ‘Yo-Yo’ about an 8-day situationship, and I’m glad I a minimum of obtained one thing good out of that entire expertise. It’s mild and fun-sounding however lyrically darkish and fairly unhappy, actually.”
Rooted in Americana, basic nation, and pop, Callahan infuses the style with a sound that feels each new and nostalgic. Her distinctive tone, wealthy with lyrical honesty, attracts listeners in with emotional depth. Abbie’s songwriting is fearless and private, formed by real-life experiences and an unwavering sense of id. Taking inspiration from legends like Linda Ronstadt and Don Williams, together with trendy artists akin to Sierra Ferrell, Billy Strings, and Leon Bridges, Abbie Callahan is forging a path that blends vulnerability with boldness. In “Yo-Yo,” she doesn’t simply seem—she takes command, remodeling heartache into one thing powerfully resounding.
:: “Yoga” – Asha Maclean ::
Grace Holtzclaw, Los Angeles, CA
Asha Maclean’s “Yoga” is a free-spirited and euphoric R&B earworm that chronicles a brand new relationship that retains her on her toes. Maclean’s background rising up in New York Metropolis lends itself to the confident, polished tracks she’s placing out at current. “Yoga” places a contemporary twist on her 90’s R&B influences guided by an infectious hook and gripping beats that keep caught in your head.
“Yoga” mesmerizes with sprightly notes of electrical guitar, prismatic percussion, and heat, inviting vocals that pull you deeper into the monitor. She sings, “Stand tall like a tree / You fly like a butterfly / If you’re with me.” Drawing inspiration from completely different yoga poses that carry out the magic of a chemistry-based connection, Maclean muses on the thrilling but complicated nature of a budding romance.
Paired with an exhilarating music video to match, the visuals for “Yoga” could have you hooked similar to the track. Maclean takes the reins by demonstrating the yoga poses she sings about over a charming dance routine. “Yoga,” similar to the apply itself, is supposed to stimulate your thoughts and your physique .
:: “Heaven” – Rei ::
Danny Vagnoni, Philadelphia
Rei is probably essentially the most thrilling solo guitarist I’ve found in fairly a while, and “Heaven” showcases her musical vocabulary fantastically. As properly it ought to – in interviews, she discusses how, touring between Japan, the US, and France early in her life, she felt fluent in music earlier than every other language.
“Heaven” foregrounds Rei’s unique and soulful guitar taking part in. The monitor begins out with a lush minor blues intro the place Rei sings, mournfully, “Have you ever ever seen Heaven?” After her final, “Being with you is nearly Heaven,” she leaps instantly right into a ripping guitar solo. It’s right here that I have to emphasize how inventive and dynamic Rei’s guitar work is. There are virtually no loops within the entirety of the track; should you needed to transcribe her taking part in, you would need to take the track bar for bar and write out each notice with out repeats. Rei is continually improvising, whether or not within the verse or refrain or bridge, beneath her personal lyrics.
You would possibly suppose that sort of taking part in would draw away from the vocals. In truth, that dynamism provides to her compositions. Rei has loads of technical expertise, however the place her guitar taking part in actually shines is in its potential to go with her fervid vocals. True to kind, her taking part in is lyrical in itself, weaving and bobbing together with her vocals and the beats of the track. There may be typically one thing thrilling about the best way musicians can take genres invented elsewhere and, unconstrained by charts or conference, create an idiosyncratic synthesis that’s deeply unique and private. So it’s with J-rock, and “Heaven” hits all of these markers and extra, for me. Give Rei a pay attention. She is one in every of rock’s torch bearers for the 2020s. That’s a known as shot you may maintain me to.
:: Even in Arcadia – Sleep Token ::
Will Yarbrough, Philadelphia, PA
You need to really feel unhealthy for Selena Gomez. The previous Disney Channel starlet turned make-up mogul is likely one of the wealthiest musicians on this planet. So think about the collective gasp of horror when her new album with fiancé/über producer Benny Blanco was blocked from the Quantity One spot on iTunes by some nameless dude in a cape.
To be honest, Sleep Token didn’t come out of nowhere. Masked singer Vessel and drumming sidekick II have led European competition goers in horns-raising service for nearly a decade, although it wasn’t till two years in the past that this British invasion crossed over on our aspect of the pond. Now with the arrival of their hotly anticipated fourth longplayer, continued chart dominance appears inevitable. Whereas scarred by the trimmings of fame, Even in Arcadia bears the mark of a pop star.
Although that is their first providing since signing with a serious label, Sleep Token haven’t misplaced their mystique. Even in Arcadia was teased in bite-sized chunks throughout a masterful digital advertising marketing campaign. Followers raced to resolve encrypted web sites, QR merch codes and Instagram ciphers, an area climate forecast.
I’m already pushing previous Mitch’s phrase rely and haven’t even addressed what Even in Arcadia really seems like, however the surrounding smoke mirrors the sport of cat and mouse that the album performs with Sleep Token’s large viewers. Virtually each track begins the identical; a stripped-down guitar or keyboard melody is generously utilized with Auto-Tuned falsetto curlicues earlier than slipping just like the zeitgeist between different tendencies. Tropical home blooms right into a pristinely produced bouquet of blast beats and Meshuggah-lite chuggery. Midwest emo crushes on prog-metal earlier than falling for a lure beat that’s sleazy sufficient to get an increase out of Future within the strip membership.
If you happen to’re already skeptical of Sleep Token, then I’ve unhealthy information; there’s no resisting Even in Arcadia. Whether or not assuming the type of a bop or headbanger, the album is just too good at pummeling pleasure receptors with candy-coated hooks. Heck, I’d be shocked if it didn’t debut atop the charts.
In spite of everything, in true star-crossed vogue, Sleep Token are actually brazenly wrestling with followers over their poisonous relationship. “Damocles” is haunted by perceived threats to the group’s throne. But it surely’s additionally the uncommon second the place their guard drops. “Who will I be when the empire falls?” Vessel wonders, laid naked over golden grand piano, earlier than energy ballad pyrotechnics carry down the home. Battle-vested gatekeepers and pop purists will nonetheless try to lower them down, however as soon as once more, behind Even in Arcadia, Sleep Token reveal they’re those pulling all of the strings.
:: “Istanbul” – Journey Misplaced ::
Danny Vagnoni, Philadelphia
I had the pleasure of seeing Journey Misplaced not as soon as, however twice in fast succession early this 12 months. I first noticed them at a dingy however dependable dive in always-charming New Hope, PA – John and Peter’s – then on the excellent World Cafe Stay, one in every of my favourite venues in Philadelphia, owned and operated as a non-profit group by UPenn.
Their opening track, “Istanbul” begins with a frantic guitar riff torn from the Australian Psychedelic Rock scene. Fuzzed-out vocals over chopped up guitar riffs comply with earlier than the track drifts off right into a fitful reverie, with singer Jack Faracchio lamenting, “lastly, my conflict is finished/however I don’t really feel I’ve received.” He’s proper–the conflict is way from over, and it’s straight again into psychedelic frenzy. There’s a transparent bevy of influences right here, all contorted into one thing thrilling and novel. I’ve already famous the aggressive Aussie psych influences, however there’s a storybook high quality to their lyricism that could be very a lot Beatles-esque, a solo part that seems like shoegaze-lite, and a particular math-rock consciousness of time and rhythm.
Journey Misplaced’s stage presence is electrifying, amplified all of the extra by the intimate venues I noticed them in. In just a few songs, their keyboardist (a brand new addition to their lineup, not but credited on a recorded album) switches to flute; paired with wall-of-sound psychedelic guitar, the rooms turned a veritable flood of cubensis ambiance. There was additionally an enormous crowd pleaser within the type of an unique cowl of “The Chain” by Fleetwood Mac. If you end up in Philly or the encircling space, go see them–if not, make sure to indulge on-line.
:: “Flowers to Arrows” – Wynona ::
Mitch Mosk, Beacon, New York
“How does it really feel turning flowers to arrows?” Oof, what a query. Wynona’s Natalie Woodward sings sizzling and heavy on the mic in “Flowers to Arrows,” the band’s first (and up to now, solely) single of 2025. Her candy, light voice aches with stress and despair as, alongside her bandmate and co-songwriter Richard Willats, she laments these members of our society who co-opt, twist, and contort issues to suit their most popular ideology, mould, and messaging. It’s a dynamic and emotional tackle Wynona’s signature, nineties/naughties-inspired “mum-jean rock” sound; whereas the band proceed to glisten and glow, the depth of this monitor’s subject material is rarely misplaced on artist or listener.
Immediately I’m overcome with emotion
Grasp me out onto the road
The climate’s chilly,
and it’s at all times been a relentless
Below gray cloud mind-set
I preserve inside, although its true to consider it
I’m wondering what’s your infatuation
I see all of it for what it’s beneath the asphalt
What a spot to name me out
“‘Flowers to Arrows’ began from a guitar riff Wealthy was taking part in whereas we had been between homes simply after the pandemic. All our studio gear was packed away, so we arrange a makeshift studio and recorded demo concepts utilizing telephones and laptop computer mics,” Wynona inform Atwood Journal. “Natalie wrote the vocal melody to imitate and dance across the guitars. We sat on the demo for years till it caught the ear of our guitarist/producer Adam Hailstone, who took over the undertaking and added layers of sonic prospers that actually introduced the track to life.”
“We tracked, produced, and blended the track ourselves, and it marks our first launch of 2025. It’s a jangly throwback to Britpop, centered on the concept that some individuals can take lovely issues in artwork, movie, music, and tradition (flowers), and twist them into symbols for his or her pointed, hurtful ideologies (arrows).”
How does it really feel
Turning flowers to arrows?
How does it really feel
Turning flowers to arrows?
For me, the obvious instance of “flowers to arrows” is a politician co-opting songs with out artists’ permission or consent, and utilizing unauthorized items of music to drive their messaging residence – “YMCA” blaring over the loudspeakers at Tr*mp rallies come to thoughts. Interpretation is okay – artwork is so typically a way of self-expression, and the best way the artist intends their work to be consumed might not at all times be aligned with the way it finally ends up being interpreted – however weaponizing artwork to fulfill your individual agenda and your individual ends is pure propagandizing. Whereas Wynona’s newest single stays as sugary as their greatest work, “Flowers to Arrows” additionally unveils a sinister reality about consumption – and it’s a message we’d greatest take to coronary heart transferring ahead.
I see the change from my materiality
Dripping down in entrance of me
What a spot to be
I do know it’s unusual to let the rain
fall via the window
Spilling onto my mattress
In a world the place we may co-deliver
You allow me constructing conversations
I’ve by no means been the type to overlook the amber warnings
These edges I preserve catching on
How does it really feel
Turning flowers to arrows
How does it really feel
Turning flowers to arrows
:: “Rearview” – Kevian Kraemer ::
Mitch Mosk, Beacon, New York
Rose-colored glasses get their very personal rallying cry in Kevian Kraemer’s “Rearview,” a hovering and spirited anthem basking within the different aspect’s greener pastures and nostalgia’s brighter hues. Launched April 25th through Atlantic Data, the third single off the New Jersey-born artist’s upcoming Jersey or Mars EP is an brisk, invigorating indie pop revelry full with rip-roaring vocals, driving drums, introspective lyrics, and exhilarating guitars.
“‘Rearview’ to me is my tackle the saying ‘the grass is at all times greener on the opposite aspect,’” Kraemer tells Atwood Journal. “I wrote ‘Rearview’ round a time the place I went via a tough breakup and was coming to phrases with what the connection meant to me. Whereas there have been some actually superb instances, I noticed that the general relationship was bringing me down and that life was really a lot brighter on the opposite aspect. The road ‘your chapstick and my keychain’ serves as a reminder of the great components of a relationship whereas persevering with to maneuver on and embrace change.”
Readability isn’t at all times out there to us within the current, typically via no fault of our personal. Solely via hindsight and actively stepping out of our personal sneakers can we actually hope to see issues for what they’re – and on this track’s case, it’s that retrospective perspective that opens Kraemer as much as each the great and the unhealthy.
To his credit score, he’s proper: Issues do look higher once you’re checking the rearview. So how will we appropriate for this and enhance our present imaginative and prescient? That’s the subject of one other track… however for now, I’m glad to get misplaced within the shiny, daring enery of “Rearview.”
:: “Mistaken Model of Me” – Michael Isaak ::
Danielle Holian, Galway, Eire
Michael Isaak’s newest single, “Mistaken Model of Me,” marks a deeply private and triumphant return, following his contemplative comeback monitor “Say Too A lot.” Written throughout a pivotal second in Isaak’s life – his daring transfer to New York – the track pulses with vulnerability and power because it explores themes of selfhood, transformation, and the concern of dropping oneself. Isaak’s introspective lyrics resonate powerfully, delivering a sort of emotional readability that feels each uncooked and relatable. His voice, regular and expressive, rides a wave of wealthy, stay instrumentation, a testomony to the seamless chemistry along with his band.
With Will Martinez and Charlie Hickey’s twin guitars sparking with nuance and Matt TC Lucas driving the power on drums, the monitor delivers an indie-rock sound that feels directly grounded and hovering. Produced by Hickey and Tyler Graham, the monitor is textured, instant, and alive – underscoring Isaak’s promise to stay true to himself within the face of change. “Mistaken Model of Me” doesn’t simply mark one other launch – it cements Michael Isaak as a voice of sincerity and inventive braveness in a panorama that usually asks artists to compromise. Prepared or not, Isaak’s evolution is right here – and it’s unflinchingly genuine.
:: “Like a Fiend” – Mel Denisse ::
Chloe Robinson, California
In “Like a Fiend,” Mel Denisse creates a track that explores what it’s prefer to be trapped in a tug-of-war between conflicting feelings. Shifting from pleasure to despair, power to vulnerability, this creature experiences a disturbing emotional instability that seems like a whirlwind of mania. The darkish and daring piece showcases an modern, atmospheric backdrop that pairs completely together with her haunting vocals. The ominous air of this monitor captivates the listener the entire manner via.
Mel Denisse is an artist-producer identified for mixing gritty guitar textures with unconventional pop sounds. She first picked up her dad’s acoustic guitar at age ten, spent her teenage years crafting demos on pirated software program, and by eighteen had joined a Myspace-era tour via sheer hustle. You sense those self same blood, sweat, and tears on this single.
:: Center Seat – Sid Dorey ::
Danielle Holian, Galway, Eire
Sid Dorey, who first gained traction with viral snippets and poignant lyric movies, has grown into an artist who can command each a stage and a cellphone display. However with their sophomore EP Center Seat, they’ve taken that affect and deepened it. The EP doesn’t simply sound good — it feels very important.
Few artists handle to mix theatrical roots with emotional immediacy fairly like Sid Dorey. Center Seat is a press release of survival, group, and acutely aware development wrapped in lush melodies and razor-sharp lyricism. The fantastically bruised assortment of songs that captures the uneasy magic of coming into your individual. With 5 tracks that weave via themes of grief, id, and the craving for belonging, Dorey transforms discomfort into artwork. From the gut-wrenching confessions of “Cannibal” to the non secular reckoning of “What Comes With Heaven,” every track is a fastidiously carved piece of emotional reality. Their voice — equal components tender and trembling — carries the burden of lived expertise, whereas their lyrics hit like pages from a journal you had been by no means meant to learn however can’t put down.
What makes Center Seat stand out is its sense of presence. There’s no filter right here, no intelligent veil of metaphor to cover behind — simply honesty that lands like a quiet storm. Dorey, a queer artist unafraid to talk to the complexities of affection, loss, and survival, invitations listeners not simply to really feel one thing, however to really feel seen. The EP’s title monitor, a softly defiant nearer, completely sums up the undertaking’s mission: discovering consolation within the uncomfortable, and holding onto hope when it will be simpler to let go. In a style that too typically polishes its ache, Sid Dorey reminds us that the center seat, although cramped, might be the place the place we actually be taught to remain.
:: “Goth Children” – L’objectif ::
Mitch Mosk, Beacon, New York
The fever burns daring and shiny in L’objectif’s first single of the 12 months. Dramatic, dynamic, and achingly unapologetic, “Goth Children” is a charged and churning indie rock reckoning full of fireside and fury: “This entire world’s stuffed with battle, I don’t know tips on how to steal the prize,” frontman Saul Kane sings hot-on-the-mic, his voice aching and intense from the leap. “This entire room’s stuffed with goth children, I believed I used to be one – seems they’re too good.” So begins a roaring, larger-than-life anthem for all of the ‘emo children’ who by no means actually outgrew the ‘section’: Who’re nonetheless trying to find their place within the chaos, making an attempt to grasp the place they match into life’s massive, instructionless puzzle.
they left the planet of their rockets
I might’ve gone however they missed out my invite
however for the weekend i’m sorted
nonetheless determining tips on how to get you by my aspect
yeah nothing makes me really feel as fairly alright
Because the band explains, “Goth Children” has been a real labor of affection – a track they saved tweaking, and by no means gave up on till they obtained it “proper.”
“[This] is the longest period of time we’ve spent on a track – we’ve been engaged on it for over a 12 months,” Kane tells Atwood Journal. “We by no means may appear to maneuver on from it. Ultimately after dropping a little bit of our sanity, we made one thing, that to us, felt like an genuine reflection of the band.”
“Lyrically it’s a track that nearly wrote itself,” he continues. “I don’t need to overthink the music anymore; it simply felt pure, though whether it is about something, I suppose it’s about determining the way you match into the world. It’s a reasonably vital track to us and has introduced us via into a brand new chapter for the band.”
look out child see what god despatched
he packaged it so properly in a bow
And set the world into battle
see we pleasure ourselves on data we don’t know
figured it out after a bong hit
and went off spouting bullshit
to his woman
and ultimately we now have to forfeit
however nothing makes me really feel as fairly alright
yeah nothing makes me really feel as fairly alright
yeah nothing makes me really feel as fairly alright
If that is what the following ‘period’ of L’objectif goes to look and sound like, then signal me up: As savage and searing as it’s sonically gorgeous, “Goth Children” is the sort of unflinching, cinematic barn-burner that hits arduous and leaves a long-lasting mark on the ears and the soul. It’s among the hardest music we’ve heard from the Leeds band, and it actually is them at their greatest – achingly emotive, infectiously energetic, and totally uncompromising.
this entire room’s stuffed with goth children…
this entire room’s stuffed with goth children
However nothing makes me really feel as fairly alright
This entire room’s stuffed with goth children
however nothing makes me really feel as fairly alright
this entire rooms stuffed with goth children
however nothing makes me really feel as fairly alright
this entire rooms stuffed with goth children
:: “Happiness” – Robust Cookie ::
Mitch Mosk, Beacon, New York
“But happiness is no matter you make of it.” Robust Cookie’s second-ever single poses an fascinating level: We’re all chasing one thing – that a lot we are able to certainly agree on – however received’t that ‘one thing’ change from individual to individual? Who’re we to put judgment on one other’s model of affection, or pleasure, or happiness? Who’re we to determine which causes are proper and simply, and which causes are flawed or reprehensible? A lot in life is subjective, and on “Happiness,” Robust Cookie take a tough, unflinching and unfiltered take a look at the world, reckoning with that nice pursuit and the lengths some will go to get their excessive.
As a result of sooner or later, every of us has to ask: What does happiness really seem like, how can we get there, and what’s it price?
It should be arduous to vary.
Sarah says to let it go,
give up promoting dope.
The rashes in your pores and skin
are creeping up in small speak
amongst your mates
However happiness is
no matter you make of it.
Launched April 24th through Gravity Data / Capitol Data UK, “Happiness” is an intimate, all-consuming, and emotionally charged alt-rock fever dream. The follow-up to February’s debut single “Emory” finds Robust Cookie – the London-based band of August Tse, Daniel Hvorostovsky, Jess Ayres, and Gavin Sullivan – in a second of uncooked reflection and upheaval. Whereas “happiness” itself feels intensely private (as August Tse sings, “happiness is no matter you make of it”), the monitor’s hard-hitting refrain makes an attempt to unpack and even perceive the very nature of that pursuit – an countless chase that by no means appears to finish in properly in ‘actual’ life. “Open up my eyes, present me one thing actual,” an amped-up Tse implores over roaring guitars and churning drums. “Oh my God! It should be so good to really feel completely nothing.”
It should be sort of enjoyable
residing in a woozy world
letting rumours do the rounds.
The physician says
a behavior will simply rot your head
However happiness is
no matter you make of it.
Open up my eyes, present me one thing actual.
Oh my God! It should be so good to really feel completely nothing.
I don’t want a shrink ‘trigger this seems like the true factor.
Oh my God! It should be so good to really feel completely nothing.
“When Dan and I began writing the instrumental, we already had that guitar melody for the verse, and we ended up constructing the entire association round it,” Tse tells Atwood Journal. “Among the lyrics got here collectively as we went, and it felt just like the music wanted a shift in gear to match the track’s narrative. We needed the construction and motion of the monitor to reflect the unpredictable, typically chaotic nature of life within the pursuit of happiness.”
You’re promoting children a dream
of Armageddon fantasy and entropy
Hungry for a break
The place have the times of happiness gone?
You’ve been self-aware for a lot too lengthy to nonetheless be right here
In songs and tales, fables and fairytales, there’s a ‘fortunately ever after’ – however that doesn’t exist right here within the wild. We lose our childhood innocence as soon as we inevitably understand that reality… that each excessive is short-term, each candy second short-term. And but, that’s what so many individuals stay for; the moments that make all the remainder of it price our whereas. Is it a good trade? Is it the best factor to do? Robust Cookie don’t have all of the solutions, however they may agree that life, similar to their very band, is one powerful cookie.
However I assume happiness is
no matter you make of it.
Name in sick tomorrow
Make my mattress one other day
:: “2009” – Loren Warmth ::
Danielle Holian, Galway, Eire
Loren Warmth’s newest single, “2009,” is a stunning, high-energy triumph that confirms their rising star standing within the pop panorama. Constructing on the emotional depth of their debut EP Scarlet Haze, Warmth effortlessly merges nostalgic dance-pop vibes with trendy aptitude, delivering a monitor that feels each timeless and thrillingly recent. With Chad Rodgers’ modern manufacturing setting the stage, “2009” bursts to life via shimmering synths and a euphoric refrain that calls for repeat listens. Warmth’s vocals are a standout – daring, emotive, and totally magnetic – completely capturing the monitor’s themes of longing and electrical ardour. That is pop music at its most irresistible.
:: “Possibly When We’re 30” – Sports activities Staff ::
Mitch Mosk, Beacon, New York
Cambridge indie rock band Sports activities Staff appear to softly vacillate between quiet resolve and existential unease in “Possibly When We’re 30,” and whereas I’m all for it – who doesn’t like some inside battle, left unsettled? – I’d be mendacity to say that, as a 32-year-old myself, the track doesn’t ship a shiver down my backbone each single time I hear it.
And it’s not as a result of I personally have “settled down” in what I like to think about as a slightly distinctive model of “suburbia” – a small, upstate mountain city with a bustling, mile-long predominant avenue full of arts and tradition, retailers and eating places – and right here I am going making an attempt to justify my life-style once more! To whom, precisely, am I writing, and why do I care?
Your brother mentioned that we must always get actual jobs
And pay our manner like everyone else
Effectively perhaps we may purchase a home
And we may have a child
And spend our days on Fb
Such glad days on Fb
And share Each day Mail tales
about David Beckham’s children
with pithy little insults
Such pissy little insults
If it’s what you want
It really works for me
We’ll write bitter little letters
To the council ‘bout the bins
And signal them from the neighbors
You’ll signal them from the neighbours
And after they come a knockin’
I’ll faux that you simply’re not in
You realize i’ve by no means favored the neighbours
I’ve by no means favored the neighbours
And so they don’t like me
Musically, “Possibly When We’re 30” is unapologetically and relentlessly tense. Uncooked power builds and builds all through its 4 and a half minutes as frontman Alex Rice ruminates on “massive life” questions, singing an ode to the “conventional path” – getting married, shopping for a home, having a child, a canine, perhaps an HOA, “date nights,” gossiping in regards to the neighbors… the entire shebang, if you’ll. Structured like a letter written to a cherished one, the track begins with musings about life in a single’s 30s, earlier than addressing one’s 70s and 80s in later verses. Some would possibly interpret all these lyrics as one massive dig, however because the band’s lyricist Rob Knaggs has shared, it’s really extremely honest – he’s not taking part in for laughs, even should you, the reader, are about to get an enormous kick out of what comes subsequent.
Possibly after we’re 30
child we are able to get a canine
And yearly we’ll exit
and we’ll watch The Struggle on Medication
If it’s what you want
It really works for me
“It’s a track for Brooklyn Beckham,” Knaggs tells Atwood Journal.
That’s the hook, after all. The reality is deeper, and a shade darker, too.
“If you begin off in a band you are feeling like Slurms Mackenzie (the Futurama occasion slug),” he provides. “You may’t consider it’s your job to journey all over the world and drink beer and make music with your mates. After which one morning you go searching, and all your mates are getting married, and also you suppose, ‘perhaps all I actually need is to develop previous, and get a canine, and write horrible issues about Brooklyn Beckham on Fb, and go on cruises, and have petty disputes with my neighbours about whether or not the council recycles cardboard.’”
Euphoria is fleeting, and the grass at all times appears to be like greener – so what do you do? How do you work all of it out? For starters, you do what Sports activities Staff have finished, and also you begin asking your self what true happiness means for you. Possibly it’s the canine, the home, yada yada. Possibly it’s a life on the highway. I’m certain there are many in-between examples as properly that aren’t coming to thoughts proper now. The purpose is, dreaming of what would possibly make you content is a superb first step towards reaching your individual little model of heaven on earth.
For me, happiness means residing on daily basis alongside the particular person I like – the one who could make lounging on the sofa all day really feel as satisfying as exploring a brand new metropolis, or seeing a favourite band, or eating at a cool restaurant. And once I hear the lyric, “If it’s what you want, it really works for me,” all I actually hear is love: The sort of love that actually does make on daily basis price residing, irrespective of the place you might be on this planet.
Taken off Sports activities Staff’s upcoming third studio album Boys These Days (out Might twenty third through Distiller Data / Brilliant Antenna), “Possibly When We’re 30” is a powerhouse of feeling – and maybe I’m projecting right here, however it’ll get you speaking.
:: The Distance Between Desires – Brandes ::
Danielle Holian, Galway, Eire
In his debut album The Distance Between Desires, Brandes – a creative alter ego of former Labour MP and acclaimed writer Peter Bradley – ushers in a deeply reflective physique of labor that strikes with emotional rawness and an unwavering sense of historical past. At its core, the album seems like a reclamation of non-public and collective reminiscence. The identify Brandes, borrowed from Bradley’s Jewish heritage misplaced through the Holocaust, is each a tribute and a car for storytelling. The album’s stark, poignant lyrics are delivered with a way of honesty and vulnerability that bridges previous and current, exploring themes of affection, loss, and id via a singular mix of people, indie-rock, and world music influences.
Opening with the heart-wrenching “Please Don’t Name,” the album instantly units its introspective tone, capturing the painful disintegration of a relationship with a fragile stability of sparse instrumentation and highly effective, confessional lyrics. From there, the journey expands, taking the listener via the aching autobiographical “Like A Dagger” to the politically-charged “From The Greater Floor,” which resonates like a modern-day protest anthem. Every monitor feels meticulously crafted, whether or not it’s the haunting folks melodies or the electrical power that creeps into the album’s extra anthemic moments. What makes The Distance Between Desires so compelling is Brandes’s potential to fuse private narratives with bigger, common themes, creating an album that’s each introspective and expansive.
The album’s standout second is undoubtedly “Tune for Mordecai,” an emotionally wealthy and cinematic monitor impressed by George Eliot’s “Daniel Deronda.” That includes a fusion of Center Japanese devices just like the oud and nafiri, the track displays on Jewish id and historical past whereas exploring timeless themes of non secular awakening, resilience, and the wrestle for freedom. It’s a strikingly bold piece that anchors the album’s thematic exploration of cultural reminiscence, whereas additionally providing a way of hope amid the burden of historical past. The Distance Between Desires displays on the human situation, delivered via the lens of non-public historical past and inventive expression. Brandes has created one thing uncommon: a piece that calls for consideration, resonates deeply, and lingers lengthy after the music fades.
:: “Drowning the Killer” – Kindelan ::
Mitch Mosk, Beacon, New York
Yorkshire singer/songwriter Kindelan has returned with a surprising burst of cinematic softness: “Drowning the Killer” owes as a lot to its wealthy, harmonic depth, because it does to the quieter areas in-between. Constructed on a young finger-picked acoustic guitar, the track – Kindelan’s first since 2023’s EP you may attain me should you attempt – tells a story of intimacy and aching via lush, spellbinding, soul-stirring artistry. Kindelan’s voice seems like pure gold, and like that uncommon steel, it shines daring and shiny irrespective of the state of affairs – bare, or accompanied by a dramatic pool of harmonizing accompaniment.
“Whereas the world sat quiet again in 2021, my good pal Liv and I sat on zoom writing songs,” Kindelan tells Atwood Journal. “After listening to Adrian Lenker on repeat, I detuned my guitar so every string droned over one in every of their songs. I explored the new shapes and sounds inside this unfamiliar tuning and located the ominous chord development which then turned the backdrop for our story that unfolded line by line.”
“We ended up writing a story of two individuals, certain by their poisonous connection, who’re simply as unhealthy for each other – so unhealthy, that they’re good for one another.”
Whereas there’s an plain aching, darkness, and bittersweet magnificence at this track’s core, “Drowning the Killer” finally glows – pushed by Kindelan’s personal spectacular expertise and inside mild. She’ll ship shivers down the backbone, and but whilst she does, one can’t assist however smile.
:: “Like an Angel” – Marsha Swanson ::
Danielle Holian, Galway, Eire
Marsha Swanson’s “Like an Angel” is a masterful mix of sound and imaginative and prescient accompanied by a music video that deepens its emotional gravity. Reimagined from her “Close to Life Expertise” album, the monitor has been reborn with a lush string part and stay instrumentation that cradle Swanson’s haunting vocals in cinematic heat. Her supply is tender and introspective, carrying the burden of affection, reminiscence, and loss with swish restraint. Directed by award-winning animator Sam Chegini, the video unfolds like a dream with its wealthy symbolism and ethereal imagery mirroring the track’s quiet exploration of grief, non secular connection, and the lingering presence of these we’ve misplaced.
What makes “Like an Angel” so putting is its unstated energy with the best way it lingers lengthy after the ultimate notice fades. Chegini’s visible storytelling is each summary and deeply human, blurring the road between fantasy and reminiscence, whereas Swanson’s voice serves as a mild information via all of it. Collectively, they’ve created a chunk that feels timeless with a tender however soul-stirring meditation on the invisible threads that join us. In a world stuffed with noise, “Like an Angel” is a uncommon second of stillness that speaks volumes.
:: “Poster Lady” – Tash Blake ::
Danielle Holian, Galway, Eire
Tash Blake’s “Poster Lady,” the title monitor from her putting new EP, is a razor-sharp commentary on fame wrapped in a darkish, seductive pop bundle. Equal components confessional and confrontational, the monitor peels again the glittering façade of movie star to disclose the emotional price lurking beneath. From the primary beat, “Poster Lady” pulses with urgency – its synth-laced manufacturing and cinematic stress mirroring the chaos of a life consistently beneath the highlight. Tash’s vocals are electrical: sultry, commanding, and laced with simply sufficient vulnerability to make each line hit more durable.
However this isn’t simply one other pop monitor in regards to the pressures of the trade – that is Tash Blake redefining what it means to be a contemporary pop provocateur. With “Poster Lady,” she challenges the listener to query the archetypes we’ve glamorized for many years. It’s a daring rejection of perfection, of people-pleasing, of taking part in the half. As a substitute, Tash leans into the messiness – the lust, the confusion, the fury – and turns it into an anthem for anybody who’s ever felt like they had been performing a model of themselves for approval. Unapologetically uncooked and artistically fearless, “Poster Lady” doesn’t simply introduce Tash Blake’s imaginative and prescient – it cements her as a voice to look at within the new period of pop riot.
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